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・ Leonard Oliver
・ Leonard Oliver (cricketer)
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・ Leonard Lee
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Leonard Lewis
・ Leonard Lewisohn
・ Leonard Lewisohn (Islamic scholar)
・ Leonard Lewisohn (philanthropist)
・ Leonard Lieberman
・ Leonard Lief
・ Leonard Liggio
・ Leonard Lilyholm
・ Leonard Linsky
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・ Leonard Litwin
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・ Leonard Long
・ Leonard Lopate


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Leonard Lewis : ウィキペディア英語版
Leonard Lewis
:''This article is for the television producer. For the recipient of the Victoria Cross see Leonard Allan Lewis.
Leonard Jack Lewis (29 November 1927 – 2 December 2005) was a British producer and director. He was most active in television. He was the Executive/Series Producer for BBC's ''EastEnders'' during the early 1990s, though he had success with many other television programmes for both the BBC and ITV. It has been said that Lewis believed in "the principles of public service broadcasting" and he has been described as a "gifted television producer with hidden directorial talents". After over 40 years working in the television industry, Lewis retired in 1995. He died in December 2005, aged 78.
==Career==
After completing National service in the RAF, he became an actor and worked in repertory at the Manchester Library Theatre, Morecambe and Ashton-under-Lyne. He joined the BBC on a three-month holiday attachment in 1957. He worked with BBC Scotland until 1963, when he moved to BBC London as a staff director.〔
Lewis began directing and later producing for BBC television, on shows such as ''Z-Cars'' (1965); ''Softly Softly'' (1969–74) and ''Adam Adamant Lives!'' (1966). In 1973 he directed and produced for the BBC's adaptation of ''Jack the Ripper'', and he was also the executive producer for the detective series, ''Barlow at Large'', and producer for ''Second Verdict''.〔
In 1976 he produced the BBC series ''When the Boat Comes In'', a north-east drama depicting the hard days of the twenties in the fictional town of Gallowshields. A top-rated series with a "brilliant" and "diverse" writing team, ''When the Boat Comes In'' was nominated for "Best Drama Series" at the 1976 BAFTAs, and is "fondly remembered as a poignant piece of social history".〔 It has been said that Lewis had a "respect for text and for writers", which brought him "acclaim", but also "a personal and professional crisis" after the BBC ordered him to scrap his writing team for the next series of ''When the Boat Comes In''.〔 Unwilling to betray his colleagues and friends, Lewis resigned from the BBC on principle.〔
Lewis was "snapped up" by Yorkshire Television, producing ''The Good Companions'' (1980) and ''Flambards'' in 1979 — a 13-part historical drama series based on the novels by K.M. Peyton.〔 ''Flambards'' was shown internationally to "great acclaim".〔 He later returned to the BBC as a freelance, working on shows ranging from ''The Chinese Detective'' (1982); ''Rockliffe's Babies'' (1987–88); ''Juliet Bravo'' (1981–83) and ''The Prisoner of Zenda'' (1984) among others.〔〔
In 1990 Lewis began directing for BBC's flagship soap opera, ''EastEnders''. By the end of 1991 he had been promoted to co-producer along with Helen Greaves, both taking over charge of the show following the departure of executive producer, Michael Ferguson. Lewis and Greaves formulated a new regime for ''EastEndrers'', giving the writers of the serial more authority in storyline progression, with the script department providing "guidance rather than prescriptive episode storylines".〔 By the end of 1992 Helen Greaves left the serial and Lewis became executive and series producer. Among the notable storylines that aired under Lewis' tenure were, Arthur Fowler's affair with Christine Hewitt, Pat Butcher's drunk-driving accident, the death of Gill Fowler, Sharon Watts's affair with her brother-in-law Phil Mitchell, and the reintroduction of Cindy Beale. Other characters introduced included, David Wicks, Mandy Salter, Richard Cole, Sanjay Kapoor, Christine Hewitt, Nigel Bates, Natalie Price and the Jackson family, while axings included Pete Beale, and some of Tavernier family.〔 Lewis decided to leave ''EastEnders'' in 1994 after the BBC controllers demanded an extra episode a week, taking its weekly airtime from 1hr (two episodes), to 1.5hrs (3 episodes).〔 Lewis felt that producing an hour of "reasonable quality drama" a week was the maximum that any broadcasting system could generate without loss of integrity.〔 Having set up the transition to the new schedule, the first trio of episodes — dubbed The Vic siege — marked Lewis' departure from the programme.〔 He went on to retire completely in 1995.〔

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